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shesdonejim:

how to enter a relationship with chris pine

  1. say “hello chris pine”
  2. then ask him to dinner by saying “would you like to chris dine”
  3. when you meet up for dinner tell him he is looking “chris fine”
  4. once dinner is over head back to his place for some “chris wine”
  5. after you have done all of the above, look deep into his eyes and say: “will you be chris mine?”

(via ossians)

boyhands:

i want to start a girl gang but not the cute rookie kind i mean like a real mob-type gang where we put hits on powerful men and fix sports games and run a black market of sex toys and stolen valentino dresses

(Source: boyhandsarchive, via ossians)

botoxheart:

pleatedjeans:

Six seconds well spent.

It was. It was.

(via yofineasskhaleesi)

Grizzly Bear – Knife

Knife | Grizzly Bear

With every blow
Comes another lie

(Source: indaymusic, via interwar)

The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.
– F. Scott Fitzgerald, The Great Gatsby (via lonqing)

(Source: embarassment, via 01012012)

sad young cardinals: Jay Gatsby was black: an explanation

pollums:

So let me explain this theory for those of you who haven’t heard it before already.

The Great Gatsby is a story of a man that makes his fortune bootlegging and throws countless magnificent parties all in hopes of attracting the attention of his old flame Daisy.

But it’s really a story about insurmountable class barriers. Daisy will never be with Gatsby, no matter how much she claims to love him. No matter how hard Gatsby tries, he will always be stuck on West Egg, only able to admire the ‘green light’ of upper class american romanticism from afar. 

Themes of insurmountable class barriers permeate the entire novel right from some of the famous opening lines:

“Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.”

And so here’s the theory: 

Jay Gatsby was black, passing for white (“High yellow”)

Lower class vs upper class. Old money vs new money. East Egg vs West Egg. White vs black. Don’t believe me? 

Not only was the insurmountable barrier between him and Daisy one of class and upbringing, but also one of race.

What we take for granted as Gatsby’s whiteness is actually a omission of detail rather than a specific indicator that he was white.

From the article Was Gatsby Black?

Thompson adds, “When I ask people what basis there is for Gatsby being white, I get silence. I have asked students, colleagues. They don’t know. They cannot give me any evidence to back up the speculation. And why haven’t people made this argument so far?”

Of course as with any theory or reading of a classic text, there’s room for disagreement:

Fitzgerald scholar Matthew J. Bruccoli has one answer. “Because it’s mishigas! If Fitzgerald wanted to write about blacks, it wouldn’t have taken 75 years to figure it out. If that’s what Fitzgerald wanted, he would have made it perfectly clear in April 1925. Great works of literature are not fodder for guessing games. This kind of thing is bad for literature, bad for Fitzgerald, bad for ‘The Great Gatsby’ and bad for students who get exposed to this kind of guessing game.”

But why shouldn’t we play a guessing game with it? We don’t have Fitzgerald around to verify any of these details so why not have a bit of fun with the text? It’s a very modern reading of the text and it makes it not only more relatable but more heartbreaking.

Everyone has their own reasons why they can’t be with their own Daisy.

Why shouldn’t Gatsby be black? And why can’t he really be with Daisy?

In this discussion about whether or not Beethoven was black, the point is made:

Another tight question along these lines: Was Jay Gatsby black? Again, it’s probably not literally the case (as Fitzgerald intended it) –- but what’s much more interesting is everyone’s utter inability to take it seriously as a legitimate reading of the text, which it is.

(via caterinasforzas)


We are so accustomed to believe that crime and violence are characteristic of male characters only that the idea of seeing the ultimate devil personified in a woman, and a mother, quite amused me during the writing process. For the part of Julian’s mother I always had Kristin in mind. I met her in Paris and started thinking about how interesting it would be to make her character a strange mix between Lady Macbeth and Donatella Versace. And of course, Kristin was incredibly happy to play the character of a badass, authoritarian and diabolic mother. - Nicolas Winding Refn

We are so accustomed to believe that crime and violence are characteristic of male characters only that the idea of seeing the ultimate devil personified in a woman, and a mother, quite amused me during the writing process. For the part of Julian’s mother I always had Kristin in mind. I met her in Paris and started thinking about how interesting it would be to make her character a strange mix between Lady Macbeth and Donatella Versace. And of course, Kristin was incredibly happy to play the character of a badass, authoritarian and diabolic mother. - Nicolas Winding Refn

(Source: howtocatchamonster, via fuckyeahonlygodforgives)

suicideblonde:

Diane Kruger photographed by Ellen von Unwerth

(via oohlala-dk)

shesdonejim:

how to enter a relationship with chris pine

  1. say “hello chris pine”
  2. then ask him to dinner by saying “would you like to chris dine”
  3. when you meet up for dinner tell him he is looking “chris fine”
  4. once dinner is over head back to his place for some “chris wine”
  5. after you have done all of the above, look deep into his eyes and say: “will you be chris mine?”

(via ossians)

boyhands:

i want to start a girl gang but not the cute rookie kind i mean like a real mob-type gang where we put hits on powerful men and fix sports games and run a black market of sex toys and stolen valentino dresses

(Source: boyhandsarchive, via ossians)

botoxheart:

pleatedjeans:

Six seconds well spent.

It was. It was.

(via yofineasskhaleesi)

The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.
– F. Scott Fitzgerald, The Great Gatsby (via lonqing)

(Source: embarassment, via 01012012)

sad young cardinals: Jay Gatsby was black: an explanation

pollums:

So let me explain this theory for those of you who haven’t heard it before already.

The Great Gatsby is a story of a man that makes his fortune bootlegging and throws countless magnificent parties all in hopes of attracting the attention of his old flame Daisy.

But it’s really a story about insurmountable class barriers. Daisy will never be with Gatsby, no matter how much she claims to love him. No matter how hard Gatsby tries, he will always be stuck on West Egg, only able to admire the ‘green light’ of upper class american romanticism from afar. 

Themes of insurmountable class barriers permeate the entire novel right from some of the famous opening lines:

“Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.”

And so here’s the theory: 

Jay Gatsby was black, passing for white (“High yellow”)

Lower class vs upper class. Old money vs new money. East Egg vs West Egg. White vs black. Don’t believe me? 

Not only was the insurmountable barrier between him and Daisy one of class and upbringing, but also one of race.

What we take for granted as Gatsby’s whiteness is actually a omission of detail rather than a specific indicator that he was white.

From the article Was Gatsby Black?

Thompson adds, “When I ask people what basis there is for Gatsby being white, I get silence. I have asked students, colleagues. They don’t know. They cannot give me any evidence to back up the speculation. And why haven’t people made this argument so far?”

Of course as with any theory or reading of a classic text, there’s room for disagreement:

Fitzgerald scholar Matthew J. Bruccoli has one answer. “Because it’s mishigas! If Fitzgerald wanted to write about blacks, it wouldn’t have taken 75 years to figure it out. If that’s what Fitzgerald wanted, he would have made it perfectly clear in April 1925. Great works of literature are not fodder for guessing games. This kind of thing is bad for literature, bad for Fitzgerald, bad for ‘The Great Gatsby’ and bad for students who get exposed to this kind of guessing game.”

But why shouldn’t we play a guessing game with it? We don’t have Fitzgerald around to verify any of these details so why not have a bit of fun with the text? It’s a very modern reading of the text and it makes it not only more relatable but more heartbreaking.

Everyone has their own reasons why they can’t be with their own Daisy.

Why shouldn’t Gatsby be black? And why can’t he really be with Daisy?

In this discussion about whether or not Beethoven was black, the point is made:

Another tight question along these lines: Was Jay Gatsby black? Again, it’s probably not literally the case (as Fitzgerald intended it) –- but what’s much more interesting is everyone’s utter inability to take it seriously as a legitimate reading of the text, which it is.

(via caterinasforzas)


We are so accustomed to believe that crime and violence are characteristic of male characters only that the idea of seeing the ultimate devil personified in a woman, and a mother, quite amused me during the writing process. For the part of Julian’s mother I always had Kristin in mind. I met her in Paris and started thinking about how interesting it would be to make her character a strange mix between Lady Macbeth and Donatella Versace. And of course, Kristin was incredibly happy to play the character of a badass, authoritarian and diabolic mother. - Nicolas Winding Refn

We are so accustomed to believe that crime and violence are characteristic of male characters only that the idea of seeing the ultimate devil personified in a woman, and a mother, quite amused me during the writing process. For the part of Julian’s mother I always had Kristin in mind. I met her in Paris and started thinking about how interesting it would be to make her character a strange mix between Lady Macbeth and Donatella Versace. And of course, Kristin was incredibly happy to play the character of a badass, authoritarian and diabolic mother. - Nicolas Winding Refn

(Source: howtocatchamonster, via fuckyeahonlygodforgives)

(Source: stephhr, via hanniballecters)

suicideblonde:

Diane Kruger photographed by Ellen von Unwerth

(via oohlala-dk)

Grizzly Bear – Knife

Knife | Grizzly Bear

With every blow
Comes another lie

(Source: indaymusic, via interwar)

"The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly."

About:

JENALYN | 23 | CALI. | ITS12AM.COM

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